5438C

SAMUEL P. HOWES

Massachusetts, 1806-1881

Portrait of a lady.

Unsigned.
Oil on canvas 29" x 24". Framed 33.5" x 28.5".
Condition: The absence of a condition report does not imply an object is free of defects. All items may have normal signs of age and wear commensurate with their age; these issues will likely not be mentioned in the condition report. Please contact Eldred's before the auction with any condition questions. Questions about condition will not be answered after purchase. Condition reports are provided as a courtesy, and we are not responsible for any errors or omissions. Important note on frames: Frames are not guaranteed to be in the same condition as they are in the item photograph. Due to handling and shipping, many frames, especially antique ones, are prone to losses. If you have questions about the condition of a frame, please contact us prior to the auction. 

  • Provenance:
    From a Maryland estate.

    Notes:
    Though his career evolved with the times, Samuel P. Howes was always a portrait painter at heart. Even as a daguerreotypist in the 1850s, in his advertisements he emphasized his ability to match the quality of a painting - a career which he must have sorely missed. But the portrait shown here, a pleasant and affable young lady, was painted years before the rise of the photograph: circa 1835, as suggested by folk portrait expert Dr. Paul D'Ambrosio of Fenimore Museum, author of "Samuel P. Howes, Portrait Painter" (1986) and "Folk Art's Many Faces" (1987).

    While we don't know this young lady's name, her style makes her instantly recognizable as a Howes portrait. She may have been one of Lowell's "mill girls," young women who worked in the city's booming textile industry in the 1830s and 40s, like her fellow Howes portrait subject Eleanor Norton Flagg (New Hampshire Historical Society, #1968.066.01). In 1835, Howes opened a portrait studio in Lowell, offering full-size likenesses from $10 to $30. Mill girls earned between $2.25 and $3.50 per week, minus $1.25 for room and board. It would have taken these girls a few months to save up for a fancy portrait like this.

    Dressed in her elegantly lacy shawl, gold beads, and ornamental pin, the young lady fits the style of the times. Her likeness is not idealized, but rendered with care and distinction. Her direct gaze and unconventional looks are compelling, displaying Howes's quintessential folky charm. The sitter's name may have been lost, but it is fortunate that we now know the artist's name, restoring her sense of place and identity.

    Sources:
    https://lowelllibrary.org/about-us/library-art-collection/
    https://richardhowe.com/2014/06/18/family-portraits-by-an-early-lowell-painter/
    https://americanfolkportraits.miraheze.org/wiki/Category:Samuel_P._Howes
    https://www.nhhistory.org/object/142257/painting

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November 20, 2025 9:30 AM EST
East Dennis, MA, US

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